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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, one half of the groundbreaking 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside singer Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He subsequently founded the innovative techno group The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died calmly in his rest at his residence in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

During that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.

"I ended up injure myself quite a bit," he stated in 2023. "I broke spinal bones in my spine and fractured about multiple ribs and fractured my wrist."

After contracting a lung infection and suffering from blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" over the summer, as he was developing a fresh record with Almond, called Danceteria, which is set for release in the coming year.

"He was focused and very pleased with the new album that we actually finished only a few days ago," stated the singer in a tribute.
"It's so sad as next year was all set to be such an uplifting year for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his collaborator as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my life and for the songs you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, remembering Ball's "endless laughter" and "steadfast support".

"Being in a duo with someone is distinct from being in a group, the connection is incredibly close," he added.
"That's how it was with us. We went through so many remarkable, extraordinary, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Early Life

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He grew up in Blackpool with his new family Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, together with his younger sister Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying art. Inspired by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly produced an extended play.

Creative Collaboration

The pair were an unusual combination: Ball was the quiet musician, bent over his synthesizer, while Almond was a flamboyant performer, all glitter and eye-liner; but they achieved a rare musical alchemy.

Ball had cultivated a interest with electronic instruments after watching the band Kraftwerk perform on a television science show Tomorrow's World, and started to marry moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second biggest-selling song of the early 80s, shifting millions of units worldwide. Alongside hits by other artists, Human League and Ultravox, it contributed to paved the way for the electronic music style of the 1980s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing new material right up until Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to purchase my initial property, having money and travelling, which makes me sound like a beauty queen," Ball not long ago told with a music magazine.

But it also caused problems. "Newfound wealth meant we could purchase substances to relieve the boredom" of media interviews and TV performances, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a follow-up classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond proceeded to have a prosperous solo career, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.

Following a further break, they reappeared in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a final performance at the large venue on 30 September, that year.

Yet, they remained active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the duo's upcoming release as a tribute to the New York club scene they visited while making their first two albums.

He added that his period in hospital had shaped the band's sound.

"I had unusual memories when I was in and out of the hospital because I was on morphine," he explained to a publication.
"The new songs are a electronic representation of the noises in my mind from that time.
"In parallel, it's about the experiences we got up to in the 80s."

The last versions were finished only a short time before Ball passed away. It is due for release in the spring of 2026.

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Mark Mccoy

A seasoned gaming analyst and writer specializing in Canadian online casinos and sports betting trends.

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